Study in Green 2 (Original)

Size: 12" x 9"

I often experiment and go in-depth on a subject, such as trees. This is one of my studies of primarily deciduous trees, where I was experimenting with different shapes and shades of green. Trees are always a challenge for artists. Deciding on their overall shapes, how many branches to put in, where, how much of them to reveal, how to make the trees appear three-dimensional on a two-dimensional plane, how many skyholes, where and what shapes, how much detail on the leaves, do I stick to local color or should I push the color lighter, darker, warmer, cooler, toward an analogous color on the color wheel or the opposite. Fundamentally, these are decisions about how much information to provide, versus how much to leave out.

see full description & specifications

I often experiment and go in-depth on a subject, such as trees. This is one of my studies of primarily deciduous trees, where I was experimenting with different shapes and shades of green. Trees are always a challenge for artists. Deciding on their overall shapes, how many branches to put in, where, how much of them to reveal, how to make the trees appear three-dimensional on a two-dimensional plane, how many skyholes, where and what shapes, how much detail on the leaves, do I stick to local color or should I push the color lighter, darker, warmer, cooler, toward an analogous color on the color wheel or the opposite. Fundamentally, these are decisions about how much information to provide, versus how much to leave out.

This study will play a part in future landscape scenes. These experiments are wonderful learning experiences. In this case, these turned out beautifully. (Some are disasters but are especially informative to me as an artist.)

Study in Green 2 (Print)

I often experiment and go in-depth on a subject, such as trees. This is one of my studies of primarily deciduous trees, where I was experimenting with different shapes and shades of green. Trees are always a challenge for artists. Deciding on their overall shapes, how many branches to put in, where, how much of them to reveal, how to make the trees appear three-dimensional on a two-dimensional plane, how many skyholes, where and what shapes, how much detail on the leaves, do I stick to local color or should I push the color lighter, darker, warmer, cooler, toward an analogous color on the color wheel or the opposite. Fundamentally, these are decisions about how much information to provide, versus how much to leave out.

see full description & specifications

I often experiment and go in-depth on a subject, such as trees. This is one of my studies of primarily deciduous trees, where I was experimenting with different shapes and shades of green. Trees are always a challenge for artists. Deciding on their overall shapes, how many branches to put in, where, how much of them to reveal, how to make the trees appear three-dimensional on a two-dimensional plane, how many skyholes, where and what shapes, how much detail on the leaves, do I stick to local color or should I push the color lighter, darker, warmer, cooler, toward an analogous color on the color wheel or the opposite. Fundamentally, these are decisions about how much information to provide, versus how much to leave out.

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Study in Green 2 (Print)

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Study in Green 2 (print) | Mary Planding

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L planding study in green 2 mrwgni

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